Alida

Susanne Maria

Daniel Lodewijk

Jan Lodewijk

Jan

Suite du 14 fructidor l’an trois 
aujourd'hui est comparu Louis Dulken 
facteur de clavesin [demt = demeurant?] rue 
Martin et du figuier N°32 lequel a dit 
qu'il [se rend] caution de la [citoyenne] Dulken son 
épouse envers le [citoyen] Bouvet [pour la somme] de 
cinq mille neuf cens quatre livres portée [au jugement?] 
du 2 [du présent?] et a signé 
Louis Dulcken 


Continuation of 14 Fructidor, Year III. Today, Louis Dulken, harpsichord maker, residing at No. 32, Rue Martin et du Figuier, appeared and declared that he stands as guarantor for Citizen Dulken—his spouse—to Citizen Bouvet for the sum of five thousand nine hundred and four livres, as stipulated in the judgment of the 2nd of the current [month]; he has signed: Louis Dulken. Transcription by Richard Etiévant.

"Nomina Sponsoru[m] Dülken, seu Dälken dessen Revalidation m[a]t[ri]m[on]ii ____   x    Lebrun

Dies Mensis 27.  Decembris An[n]o 1799

Ludovicus Dülken churf[ürstlicher] Hof-Instrumen[ten]macher, acatholicus, des Ludovicus Dülken k[öniglich] französischen Instrumenten machers, dann Anna dessen Eheweib beiden seelig, ehlicher Sohn, mit Sophia Lebrun, des Ludovicus Lebrun churf[ürstlichen] Hofmusikus, dann Francisca dessen Eheweib seelig, ehelichen Tochter. Testes: Theobald Marchand churf[ürstlicher] Theater-Director, Franz Danzi c[h]u[r]f[ürs]t[licher] Kapelmeister, tempore vetito cum dispensatione denuntiationu[m]”.

Heading: Nomination of the sponsor[s] / Witnesses for Dülken, or rather the validation of their marriage ____ x Lebrun. Day of the month: 27 December in the year 1799.

Body Text: Ludwig Dülken, Electoral Court Instrument Maker, non-Catholic (acatholicus), lawful son of the late Ludwig Dülken, Royal French Instrument Maker, and his late wife Anna, both deceased, with Sophia Lebrun, lawful daughter of Ludwig Lebrun, Electoral Court Musician, and his late wife Francisca, both deceased.

Witnesses: Theobald Marchand, Electoral Theater Director; Franz Danzi, Electoral Kapellmeister.

Ending note: Married during the forbidden time (tempore vetito) with a dispensation for the banns (cum dispensatione denuntiationum).

1800 - Theobald Ludovicus

1801 - Philippus Henricus

1803 - Louise

1805 - Franzisca Magdalena 

1807 - Violanda Dulcken

1808 - Juliana Johanna

1813 - Alexander

1817 - Carolina Charlotte

27 mei 2025  BEIERS NATIONAAL MUSEUM - Paula Bär-Giese soprano & pianist

Madame Danzi (née Margaretha Marchand): "Dir nach 'oh' die ich liebe"- Louis Dulcken fortepiano 1815

Madame Danzi (née Margaretha Marchand): "Dir nach 'oh' die ich liebe"- Louis Dulcken fortepiano Paula Bär-Giese soprano & pianist Margaretha Marchand After the death of his wife, Leopold Mozart occasionally took students into his home, including Heinrich and Margarethe Marchand. April, 1782, Leopold wrote: ‘My son is in Vienna and is remaining there [...] Meanwhile I am having a pleasant time with two pupils whom I am instructing, the twelve-year- old son and the fourteen-year-old daughter of Herr Marchand, theatrical manager in Munich. I hope to make a great violinist and clavier player out of the boy and a good singer and excellent clavier player out of the girl.’ The family correspondence reveals that Leopold had a great concern for his students and their ‘ups and downs’. Leopold must have enjoyed being able to pass on his experiences and to have gifted students under his care once again. The children were also very attached to him; Margarethe even called him ‘dearest Papa’. Leopold continued to follow Gretl’s singing career after she had left his care, and he frequently sent proud reports to Nannerl. On 19 November, 1784: ‘Gretl sang splendidly, and received from the elector, who talked to her afterwards, and then from Maestro Prat etc. and all [the others] the greatest acclaim. You know that they have been longing to know here who was to become 2nda Donna, since Lisel Wendling declined to do the 2nda Donna opposite Mme le Brun, especially because this time it [is] an insignificant part with two very short ariettas.  Louis Jr Dulcken received an education from his father in Hasselt, Antwerp and Paris but, via Hamburg, started working as a piano builder in Munich at the invitation of the Elector Karl Theodor. In 1799, he married the soprano & pianist Sophie Lebrun. Present at their wedding was the soprano, pianist and composer Margaretha Danzi, born Marchand. Sophie Dülcken-Lebrun (20 July 1781 – 23 July 1863) was a German pianist and composer, the daughter of Munich court oboist Ludwig August Lebrun and singer and composer Francesca Lebrun (born Danzi). Sophie Lebrun was born in London while her mother was on tour. She studied singing with her uncle, composer Franz Danzi, and piano with Andreas Streicher. After completing her studies, Sophie Lebrun toured in Europe and became a well-known singer & concert pianist. She married Munich court piano maker J.L. Dülcken in 1799 A Mannheim Family of Musicians: the Danzis & Self-accompanied singing. Mozart liked the Mannheimers more than the people in Salzburg: the Mannheimers were, in any case, real music professionals, while most of the Salzburgers were just semi-professionals or simple amateurs, often even of bad level. The Mannheim family of the Danzis was that kind of family of music professionals of high level Mozart wanted to be in connection with. The old Danzi was Innocenz Danzi, the famous first cellist at the Mannheim Court since 1754 and whose playing Mozart admired very much. In the winter of 1780, Mozart was commissioned by the elector Karl Theodor to write an opera, Idomeneo. The first performances took place at the Residenztheater in Munich on 29 January 1781. Mozart lavished high praise on Innocenz Danzi for his cello performance at the premiere of Idomeneo. Old Danzi had three children: Johann, who became violinist; Franziska, who became an important international Opera singer (better known as Lebrun, the surname of her husband, the famous oboist Ludwig August Lebrun, another Mannheimer); Franz, an important cellist, who became an important conductor and composer.